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House music


The House music is a kind of dance music born in the nightclubs of Chicago and New York in the first half of the eighties and strongly influenced by disco music and elements of soul and funk of years later seventy [1] . The name

house music comes from the local Chicago Warehouse club [1] [2] , where resident DJ Frankie Knuckles played for the first time house records at the beginning of the eighties. E 'spread to a second theory, lacking But the foundation, according to which the term "house " came to indicate that that type of music can be recorded and produced in-house. [3]

House
Stylistic origins Electronics , Funk, Disco , Soul
Cultural Origins 80 Years in Chicago New York and
Tools typical Synthesizer, Drum machine , Sequencer, keyboard, sampler, Sax, Piano, Violin , Bass, Acoustic Guitar , Xylophone.
Popularity 80 years, 90 years
/ Electro
Acid house - Chicago house - Click house - Deep house - French house - Garage house - Microhouse - Progressive House - Dream House - Hard House - Latin House - Soulful House - Pumpin 'house - Scouse house - tribal house - UK Hard - Ambient house
Genres derivatives
Big Beat - Madchester - Eurodance
Related Categories
Techno

Structural features such [edit ]

The genus is characterized by a metric tends to 4 / 4 with cash in on every fourth beat, sometimes enriched by more elaborate rhythmic figures. A permanent presence is the "snare" ( snare) on the same beats and a "hat" ( dish) in backbeat to accompany rounds of low in one or two lines. The low can be acoustic, electric or synthetic. This rhythm section forms the basis for the melodic part that is made differently in different genres but has common elements such as the presence of simple melodic phrases piano, guitar acoustic or electric, or funky jazz , complex horn solos and chordophones and vocal influences with funk and soul . The frequency is typically metronomic 105/110 bpm with a peak of 130/132. On average, house songs are played around the 125 bpm . [2]

The drafting of a piece house almost always starts with an "introduction" composed of only the drum sounds, culminating in a break made just " pad" (in Italian called "carpet harmonic "accompanying electronic sounds), until reaching the main theme, with its variations. This is followed by pause for breath and finally longer than a new theme (perhaps repeating the chorus) and a tail to close the piece. The introduction and tail are critical parts because they allow Dj to put two pieces in sequence without the audience can feel the change.

History [edit ]

Origins [edit ]

La discoteca Paradise Garage a New York
The Paradise Garage nightclub in New York

The house music was born as a natural development of disco [2] . The pioneers of the new genre were the dj Frankie Knuckles, Larry Levan and Nicky Siano, who in the early seventies from the console of Gallery of New York were the first to experiment with new musical paths as the "beat matching", which involves taking the same "time" two discs played consecutively and then switch between them to continue making music without interruption. [4]

Another important innovation of Gallery was to use a console with three courses: the first two discs used for the third allowed to enter in the songs and sound effects chosen by the dj [4] . In 1976

Levan decided to buy a garage at No. 84 King Street, and start to organize inside dancing animated by his music and that of Knucles. The garage was called paradise garage and became one of the most important clubs in New York. Inside Levan and Knuckles began to develop further their ability to DJ, playing sets of disco music characterized by a strong sexual and transgressive [4] . In 1977

Knuckles moved to Chicago , becoming dj's Warehouse. In the years following his way of mixing records with pattern of drum machine, vocals and soul got even more successful and began to be imitated. The official birth of the genre can be traced back to the convention 1984, when the record company Imports Etc Chicago began to sell records under the name of "house music" [2] . Among the first albums released dal'etichetta, Your Love in addition to the aforementioned Knuckles must be cited as "On and On" by Jesse Saunders (the first official history of disco house [5] ) and "Set It Off " by Walter Gibbons . In 1986

Larry Heard launched " Can You Feel It" (published later in 1988 ), who opened the vein of deep house which Chicago spokesman was doing. Another legendary name of the house at that time was Lil Louis, who in 1987 published French kiss, one of the greatest successes in the history of house music [6] which earned him a record deal with Epic . Other big hits of those years were "Music is the key " by Steve Hurley , "Move your body " by Marshall Jefferson and "Jack the bass " by Farley Jackmaster Funk .

Il sintetizzatore Roland TB-303
The synthesizer Roland TB-303

Also in 1986, another disc jockey in Chicago, DJ Pierre, he invented the 'acid house' [2] , a type of house built around the rhythmic synthesizer Roland TB-303 . The first single from the new genre was in 1987 Acid Tracks Phuture of (including DJ Pierre was a member), followed in 1988 Dream Girl DJ Pierre, who will be the single most successful 'acid.

Success in Europe and the evolution of the genus [edit ]

In Europe house music began to spread since 1986 in England but remained confined to the underground scene. Meanwhile, in Ibiza , already known from the late seventies for its nightlife, the new sound of Chicago had spread to several clubs such as Amnesia, which was played in open air party and accompanied assumption of Ecstasy, drugs that became a symbol of clubs. [2]

The key year for the explosion of house in England was the 1987 when DJs like Paul Oakenfold and Danny Rampling brought the sound of Ibiza in the UK clubs, especially in London ( Shoom ) to Birmingham ( Heaven the Future , Spectrum and Purple Raines ) and Manchester (Hacienda ) [2] . The following year the fashion of ' acid house, and with it the consumption of ecstasy , spread like wildfire across the country [1] becoming a true cultural phenomenon among young people. One of the distinguishing features of this " Second Summer of Love" (as it was defined by the mass media ) Were the rave parties, musical events, often held illegal in abandoned industrial areas or open spaces, which soon became a problem of public order in the rigid England Thatcher era . Although the source of the illegal rave scene took place inside the house, in later years the music played within them has become the techno with its subgenres, and the house they have been excluded. In Italy

house music arrived officially in the fall of 1988 , with songs like Jack to the sound of the underground of Hit House Get real or of Paul Rutherford that are inserted at the top of dance charts [7] . The following year, then came a real Italian house scene (called "spaghetti house") from which came several international hits as Ride On Time Black Box of , Number One of Starlight Sensation and Touch Me of 49ers, 1989) [8] .

In the early nineties the house spread all over Europe, giving rise to a number of subgenres, including the 'eurodance which soon will exceed as a commercial success public house and the "classic". Tracks like "Rhythm is a Dancer of Snap! , "Please Do not Go" by Double U and "What is Love" by Haddaway marked on the charts the rise of the new genre. The house "classical" continued to be offered in some clubs gaining a large group of followers. In fact this time the dancing began to "specialize" in a certain type of dance music (commercial, techno, house), attracting them to a certain segment of the public fan of the genre [6] .

Other important sub-genres are born in this decade Garage house, spread especially in the U.S. and is characterized by a decreased use of electronic sounds and a more melodic, the Latin house, created from the combination of house music and Latin American sounds, the Revival that revisiting old pieces of Disco, but also other genres, in key House, the 'Electro house characterized by greater use of synthesizers and electronic sounds, and the French house , combining influences and funky electronic sounds, brought to success by Daft Punk , Stardust ( Music sounds better with you ) Cassius, Bob Sinclar and Modjo ( Lady ).

In early 2000, the house rises to real music smash taking on the role that had until then began to falter dall'eurodance [ citation needed] . It begins with "Crying at the Discoteque" of Alcazar, and followed with songs like "Gimme Fantasy" by Gianni Coletti , "The Weekend" by Michael Gray until the recent "World Hold On" by Bob Sinclar .


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